Lee Filters LEE100 System Big Stopper 10x Filter
Product Code: 5355870
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The Big Stopper is a high-quality glass ten-stop long exposure filter. It reduces the amount of light entering your lens by Ten-Stops allowing you to use a much slower shutter speed or wider lens aperture
By greatly extending exposure times the BIG Stopper has the effect of allowing anything that is moving in your image to become blurred or ghost like, for examples, clouds waterfalls, rivers and the sea. However, the effect is not limited to landscapes, the filter can be used on cityscapes to blur people or roads and motorways to blur traffic
Used creativity they can change the way we look at moving objects and capture a real sense of time passing in your images
Stoppers are not limited to landscapes and can be used to blur crowds or people, traffic or anything in motion
The BIG Stopper fits in the standard LEE 100mm Filter Holder allowing it to be used on a number of different lenses as well as in conjunction with other filters such as neutral density graduated filters
Composing the Image
Set the camera up on a tripod and compose the image as normal WITHOUT the filter. Switch your camera from auto focus (AF) to manual focus (M).
Calculating the exposure is very simple. Take a meter reading as normal WITHOUT the filter in place, decide and set the aperture required for the shot. Now add 10 stops of exposure to the original shutter speed that matched your chosen aperture (double the exposure length ten times).
For example: Metered exposure: 30th of a second at f11
- 1 Stop - A 30th of a second doubled becomes a 15TH of a second
- 2 Stops - A 15th becomes a 8th of a second
- 3 Stops - An 8th becomes a quarter of a second
- 4 Stops - A quarter becomes half of a second
- 5 Stops - A half becomes 1 second
- 6 Stops - 1 second becomes 2 seconds
- 7 Stops - 2 seconds becomes 4 seconds
- 8 Stops - 4 seconds becomes 8 seconds
- 9 Stops - 8 seconds becomes 16 seconds
- 10 Stops - 16 seconds becomes 32 seconds
Lee Filters have provided a handy card to give shutter speed adjustments for 10 stops. Carry this with the filter and calculating the exposure should always be easy. Be aware of changing light levels. If you are shooting at dusk light levels will be getting lower during the exposure and you will have to add more time. Conversely if you are shooting at dawn the light levels are increasing and you will want to make the exposure shorter. You will need to experiment!
Your aperture value stays the same, it is the TIME part of the exposure you want to change.
Shooting the Image
Once you have composed the image, focused in the normal way and metered, you then place the filter into the holder. The filter must be placed in the 2mm filter slot, closest to the holder backplate, with the foam seal facing the backplate. This prevents any light getting behind the filter and causing flare. Before you press the shutter button you should cover the viewfinder eyepiece. This is done to prevent light reaching the sensor through the viewfinder and giving a fogging or flare effect that will be detrimental to the image. Most modern cameras have a small built in metal shutter or a plastic cap that can be placed over the eyepiece but a bit of sticky tape or just a shadow cast by your hand will help. Be careful not to touch the camera during long exposures.
Due to the combination of the material the filter is made from and the length of exposure, certain wavelengths of light will react in a different way from normal and the result is a slight colour cast. Using auto white balance in the camera may help but if you shoot in RAW mode you can correct any cast in RAW processing, usually with one click of the auto white balance button. However it would be advisable to do some tests to familiarise yourself with the filter. Using the BIG Stopper will lend itself to Black and White photography and in this instance you have no colour cast to worry about.
If you are using extremely long exposures of several minutes, you will have to take into account the fact that electronic noise will increase and be visible in your image. If this causes problems, most photo editing software contains a noise reduction facility.
With film and long exposures you will encounter Reciprocity Failure. Basically this means the film will not expose as it should to a given length of exposure. You will have to increase the amount of time the exposure needs above and beyond your calculated exposure. For example, once you have calculated your exposure with the Big Stopper’s extra ten stops to be 1 minute at f11, to correctly expose the emulsion you will probably have to allow another 30 seconds or 1 minute to expose correctly. Calculating the exact amount of reciprocity failure will take a bit of experimenting and experience and will alter for different film ISO’s and of course different brands of film. All the major film manufacturers will be able to supply information on their films and reciprocity failure. It is advisable to always bracket around your chosen exposure to ensure best results.
Because of the nature of long exposures and the ability of film to cope with them you will start having colour casts. After some experimenting these can be corrected by using LEE Filters’ colour correction filters in conjunction with the Big Stopper.
|Filter - Type of Effect||Variable ND|